Synopsis
This text explores the tension between civilization and nature in East Asia, especially China. Historical projects like the Great Wall and modern megacities reflect a long-standing ability to shape and overcome nature. At the same time, Chinese art—such as landscape painting and scholar gardens—expresses a deep longing for harmony with nature. The concept of nature is politically instrumentalized, as seen in imperial mottos like “Eternal Spring.” The analysis reveals how cultural self-images and perceptions of nature in East Asia are nuanced and ambivalent.

