Synopsis
This text analyzes four paintings by Paolo Veronese depicting the Baptism of Christ, each using forest scenery in distinct ways. The forest acts as a symbolic bridge between heaven and earth, shaping the mood—from mystical darkness to peaceful light. Veronese employs light, color, and composition to enhance the religious scene’s atmosphere. The forest appears either as an autonomous landscape or a subdued backdrop, always playing a meaningful role in the painting’s message.

